My greatest pleasure away from the piano at this time was to take the train into the nearby city and attend concerts given by the local orchestra or small chamber groups that would perform in more intimate venues. Rock and roll was all the rage, but my training at the piano and the fact that calm solitude as opposed to raucous socializing was the expected milieu of the symphony drew me in the direction of classical music. It was a relief that most of those who attended the concerts I did were adults who paid no attention to my presence. From the performances I witnessed, from the stereo I goaded my parents into buying for me, and my own reading, I , with few of the normal distractions of the typical teenager, gathered an immense knowledge of my field.
My hero was J. S. Bach. It was from his works that I came to understand mathematics … and, through a greater understanding of math, came to a greater understanding of Bach—the golden ratio, the rise of complexity through the reiteration of simple elements, the presence of the cosmic in the common. Whereas others simply heard his work, I could also feel it, taste it, smell it, visualize it, and in doing so was certain I was witnessing the process by which all of Nature had moved from a single cell to a virulent, diverse forest. Perhaps part of my admiration for the good cantor of Leipzig was his genius with counterpoint, a practice where two or more distinct melodic lines delicately join at certain points to form a singularly cohesive listening experience. I saw in this technique an analogy to my desire that some day my own unique personality might join with that of another's and form a friendship. Soon after hearing the fugue pieces that are part of The Well-Tempered Clavier, I decided I wanted to become a composer.
Of course, during these years, both dreadful for my being a laughingstock in school and delightful for their musical revelations, I couldn't forget the image of the girl who momentarily appeared before me during my escape to The Empire of Ice Cream. The minute that Dr. Stullin pronounced me sane, I made plans to return and attempt to conjure her again. The irony of the situation was that just that single first taste of coffee ice cream had ended up making me ill, either because I'd been sheltered from rich desserts my whole life or because my system actually was inherently delicate. Once my freedom came, I found I didn't have the stomach for all of those gastronomic luxuries I had at one time so desired. Still, I was willing to chance the stomachache in order to rediscover her.
On my second trip to The Empire, after taking a heaping spoonful of coffee ice cream and experiencing again that deep noetic response, she appeared as before, her image forming in the empty space between me and the front window of the shop. This time she seemed to be sitting at the end of a couch situated in a living room or parlor, reading a book. Only her immediate surroundings, within a foot or two of her body, were clear to me. As my eyes moved away from her central figure, the rest of the couch, and the table beside her, holding a lamp, became increasingly ghostlike; images from the parking lot outside the shop window showed through. At the edges of the phenomenon, there was nothing but the merest wrinkling of the atmosphere. She turned the page, and I was drawn back to her. I quickly fed myself another bit of ice cream and marveled at her beauty. Her hair was down, and I could see that it came well past her shoulders. Bright green eyes, a small, perfect nose, smooth skin, and full lips that silently moved with each word of the text she was scanning. She was wearing some kind of very sheer, powder blue pajama top, and I could see the presence of her breasts beneath it.
I took two spoonfuls of ice cream in a row, and, because my desire had tightened my throat and I couldn't swallow, their cold burned my tongue. In the time it took for the mouthful of ice cream to melt and trickle down my throat, I simply watched her chest subtly heave with each breath, her lips move, and I was enchanted. The last thing I noticed before she disappeared was the odd title of the book she was reading—The Centrifugal Rickshaw Dancer. I'd have taken another spoonful, but a massive headache had blossomed behind my eyes, and I could feel my stomach beginning to revolt against the ice cream. I got up and quickly left the shop. Out in the open air, I walked for over an hour, trying to clear my head of the pain while at the same time trying to retain her image in my memory. I stopped three times along my meandering course, positive I was going to vomit, but I never did.
My resistance to the physical side effects of the ice cream never improved, but I returned to the shop again and again, like a binge drinker to the bottle, hangover be damned, whenever I was feeling most alone. Granted, there was something of a voyeuristic thrill underlying the whole thing, especially when the ice cream would bring her to me in various states of undress—in the shower, in her bedroom. But you must believe me when I say that there was much more to it than that. I wanted to know everything about her. I studied her as assiduously as I did The Goldberg Variations or Schoenberg's serialism. She was, in many ways, an even more intriguing mystery, and the process of investigation was like constructing a jigsaw puzzle, reconfiguring a blasted mosaic.
I learned that her name was Anna. I saw it written on one of her sketch pads. Yes, she was an artist, and I believe had great aspirations in this direction, as I did in music. I spent so many spoonfuls of coffee ice cream, initiated so many headaches, just watching her draw. She never lifted a paintbrush or pastel, but was tied to the simple tools of pencil and paper. I never witnessed her using a model or photograph as a guide. Instead, she would place the sketch pad flat on a table and hunker over it. The tip of her tongue would show itself from the right corner of her lips when she was in deepest concentration. Every so often, she'd take a drag on a cigarette that burned in an ashtray to her left. The results of her work, the few times I was lucky enough to catch a glimpse, were astonishing. Sometimes she was obviously drawing from life, the portraits of people whom she must've known. At other times she'd conjure strange creatures or mandalalike designs of exotic blossoms. The shading was incredible, giving weight and depth to her creations. All of this from the tip of a graphite pencil one might use to work a calculation or jot a memo. If I did not adore her, I might've envied her innate talent.
上一页 [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] 下一页
